FUJIFILM GFX ETERNA 55 Cinema Camera
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Category: Full Frame
Description
FUJIFILM brings its vaunted photographic history to a video-centric form with the GFX ETERNA 55 Cinema Camera. Built around a new large-format sensor that covers Open Gate and a range of additional formats, the GFX ETERNA 55’s array of features is designed for exceptional video capture and seamless integration with FUJIFILM G lenses.
Native 4:3 Aspect Ratio
Dubbed the GFX ETERNA “55” in a nod to its diagonal sensor size, this camera incorporates one of the tallest sensors currently on the market. Its native 4:3 aspect ratio provides creators with a canvas that is 1.75x greater than 4-perf Super 35.
Five Main Formats
The GFX ETERNA 55 offers five main formats that are paired to specific lens categories:
- GF and Premista, for use with FUJIFILM lenses.
- 35mm, anamorphic (35mm), and Super 35, for use with a range of lenses from multiple brands.
- Each of these five formats has multiple resolution selections, further expanding your capture options.
Video Formats/Resolutions
The GFX ETERNA 55 expands the GFX100 II’s video recording choices with new Open Gate, Super 35, and 2.39:1 anamorphic options using a large 43.8 x 32.9mm sensor.
- Open Gate is available in 3.8K 4:3 at rates up to 48 fps.
- Super 35 options include 6.3K24 in 16:9, DCI 4K30/UHD 4K30 in 17:9 and 16:9, and up to 1080p60 in 17:9 and 16:9.
- Anamorphic 2.39:1 is available in Cine 5.8K up to 30 fps, Super 35 8K24 in 2.39:1, and Super 35 4K24 in 1.2:1.
Anamorphic Ready
The GFX ETERNA’s large 4:3 sensor is ready for you to combine with anamorphic lenses, and the camera provides real-time anamorphic de-squeezing for on-set monitoring.
Recording Codecs
Take full advantage of the GFX ETERNA 55’s large sensor and internally record video in Apple ProRes 422/HQ/LT, 4:2:2, 10-bit HEVC/H.265, or H.264 or ProRes proxies. Use the HDMI output for external 4:2:2 10-bit uncompressed or 12-bit raw recording.
